E cology and the Ends of Imagination in the Art of Pierre Huyghe Since the mid-2010s, the work of Pierre Huyghe (*1962) has departed from earlier engagements with the temporalities of cinema and television, the customs of social communities and the volatile property relations in global media culture to proposing redefinitions of the objects and sites of contemporary art in terms of autopoietic concatenations of living organisms and technological entities in virtually unfathomable milieus of cohabitation . . . → En lire plus